Goodbye to 2017

With only a few hours left in 2017, it is time to look back at the year and count down my top 10 books for 2017.

There have been some amazing books come out in 2017, so before we get started I would like to give a special mention to a few other of my favorite books

 

Top 10 books for 2017 

10 THE DARK TRIGGER  BY B.R LOVE 

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DAUGHTER OF THE BURNING CITY BY AMANDA FOODY 

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BEFORE THE DEVIL BREAKS YOU BY LIBBA BRAY

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7 LETTERS TO THE LOST BY BRIGID KEMMERER 

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THE RISE OF THE DAWNSTAR BY FARAH OOMERBHOY

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WHEN IT’S REAL BY ERIN WATT 

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4  TELOPHY BY WANDA WILTSHIRE 

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FREEKS BY AMANDA HOCKING

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DRAEKORA BY LYNETTE NONI 

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1- A COURT OF WINGS AND RUIN BY SARAH J. MAAS

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I hope you have all had a great year and I look forward to bring you some amazing books in 2018.

 

 

​Mirror Mirror by Cara Delevingne


Synopsis 

Friend. Lover. Victim. Traitor.
When you look in the mirror, what do you see?

Sixteen-year-old friends Red, Leo, Rose, and Naomi are misfits; still figuring out who they are and who they want to be. Life isn’t perfect, but music brings them together, and they are excited about what the future holds for their band, Mirror, Mirror. That is until Naomi vanishes before being pulled unconscious out of the river.

She’s left fighting for her life in a coma. The police claim it was a failed suicide attempt, but her friends aren’t convinced. Will Naomi ever wake up? What – or perhaps who – led her to that hospital bed? And how did Red, the self-styled protector of the group, fail to spot the warning signs?

While Rose turns to wild partying and Leo is shrouded by black moods, Red sets out to uncover the truth. It’s a journey that will cause Red’s world to crack, exposing the group’s darkest secrets. Nothing will ever be the same again, because once a mirror is shattered, it can’t be fixed.

Cara Delevingne, the voice of her generation, explores identity, friendship and betrayal in this gripping and powerful coming-of-age story. For fans of WE WERE LIARS, THIRTEEN REASONS WHY and THE GIRLS.

Review

Mirror mirror with a very different story and though at times it did feel rather predictable it touches and a lot of modern issues which seems that most people if not everyone can relate to and some aspect.

When four people,  fromvery different worlds become friends and start a band they finally find their place in the world and that sense of normalcy and belonging  they haven’t looked for. But that all changes when one of their friends goes missing that is not found what happens next will change the course of all their lifes.

Mirror Mirror follows two main plot-lines
– finding out what happened to their  friend 
– Red’s day-to-day struggles.

My story does jump from the present to the past and as the story goes it slowly feels in bits and pieces what has happened to each of the characters and what’s going on in their current life

This is one of those stories I think you’re either gonna like hate or honestly not feel one way or another about it has some really interesting twist and turns at some really well developed characters and it’s definitely worth having a look at

Summer Interview Series- Emily Suvada

Paranormal angel would like to welcome the very talented Emily Suvada. Author of  This Mortal Coil.  Thank you so much for joining us Emily, and congratulations on your first book.

Prior to writing your first book, you studied maths and astrophysics. What was it that made you decide to study these subjects? Have these had any impact on your writing?

I actually studied math because I love it – there’s a line in This Mortal Coil where Catarina says that coding has always felt like re-discovering a language she already knew. That’s how I felt about math – like I already knew it, and was just recalling it in class. I moved into theoretical astrophysics for my honors year, but my research was very math-heavy. I’ve always loved thinking about how the universe works! That’s really what has had the biggest impact on my writing – thinking about how things work, which is a skill I learned and honed through studying science. My characters are constantly on a quest to understand themselves and the world they live in, and they generally pursue the answers to these questions through a scientific lens. That comes from my studies, even if I’m not doing much science these days!

 The Mortal Coil is your first novel, what was it like when you got the call to say that your book was going to be published?

It was nerve-wracking and busy! We had only gone on submission two weeks earlier, and I had spent those two weeks in an uncharacteristic state of stress and anxiety. I’m usually pretty laid-back, but those two weeks were very… distracting. I actually got the call on a Friday morning, and it was with the news that an editor had extended a pre-empt offer. That meant we only had a few hours to negotiate and accept! Some very fast negotiations followed, handled wonderfully by my agent, and then we had a deal! I had a great weekend after that!

Who was the first person you told, that your book was being published?

My husband! I ran through to the kitchen after I got the call and then tried to play it cool. He was in shock. Then I texted my critique partner, LB. We weren’t able to announce for a long time, so it was nice to share it with a few close friends and family.

Can you give us any sneak peeks of what you are going to be working on next?

I’m working on Book 2! That’s taking most of my time and energy, and I’m also sketching out the plan for Book 3 to make sure my threads are all moving along properly. Book 2 is just as action-packed as This Mortal Coil, and it takes us deeper into the world of the gene-hackers, and of Cartaxus. There will be some big revelations and tough moments for Catarina. And some explosions, of course, 😀

What other authors are you friends with, and how do they help you become a better writer?

I have some good friends and critique partners who are on the path to publication, and they help me become a better writer with their support and honest, brilliant feedback on my work. Recently, I’ve had the pleasure of connecting with Fonda Lee, an incredible YA sci-fi author, who has given me so much wonderful advice that’s really helping me navigate my debut year. I’ve also been lucky enough to connect with Amie Kaufman, who blurbed This Mortal Coil, and who is a huge inspiration to me. And I’m meeting more authors as time goes on – each of whom has gone through the same stresses and hurdles, and can offer support and encouragement. It’s a lovely community.

What’s your favorite under-appreciated novel?

Oooo – this is a great question! I picked up a copy of “The Heart is a Lonely Hunter” having never heard of either it or its author, Carson McCullers, and was absolutely floored by it. And she wrote it when she was twenty-three! She was clearly a genius, and I think I finished it in a daze, unable to understand why she wasn’t a household name.

 How did publishing your first book change your process of writing?

It’s made me more of a perfectionist, which I’m trying to un-learn because it’s stifling. There’s something so freeing about writing work that nobody might read. Now that I’m writing work that I know will be read – and especially work that’s due at a certain time – I’m having to re-learn how to lose my inner editor and allow myself to relax and just get words down.

How do you select the names of your characters?

My character names are a mix of friends’ names, references to shows, or just random names that pop into my head while writing. If I need inspiration, I’ll browse baby name sites online, but I haven’t had much luck with them.

If you didn’t write, what would you do for work?

I think I’d be in a quantitative analytics role – a mixture of programming, research, and data. I worked in a role like that for six years after graduating and love the challenge of modeling real-world problems and making predictions and strategies for the future.

Do you read your book reviews? How do you deal with bad or good ones?

I do check them occasionally – I did a lot more early on when there weren’t many, but now that the book is in the world I’m not as tempted. Good reviews are always lovely to read, and they’re wonderful for motivation, but I also understand that not every book is suited for every reader, so the bad ones don’t bother me. Reviews are for readers, not authors – and it’s crucial that the book community is a place of honest, candid discussion without having to take the feelings of authors into account. That said, I do love it when people tell me online that they loved the book 😊

Do you hide any secrets in your books that only a few people will find?

Yes, I did! There are lines that will make more sense after reading the entire series, and a poem encoded in the back of the book. Some of the references made in the text are fairly obscure, too!

What was your hardest scene to write?

There are a couple that were hard to write –probably the hardest were the early scenes in Sunnyvale, where Cat is being pushed around by the plot, rather than being the one who drives the plot herself. It’s an important thing to do – having a character in control through an entire story makes it lose some of its effectiveness, but Cat is such a rebel that I found it hard to tell her what to do… if that makes sense?

 What is your writing Kryptonite?

Perfectionism – definitely! There’s nothing more stifling than trying to get the words totally right. I’ve learned by now that it takes multiple passes of incremental improvement to make the text shine, so I try not to put too much pressure on myself early in the process.

Have you ever gotten reader’s block?

I find it tough to read while I’m drafting – other books make their way into my voice and crowd my ideas. I get around that by reading in different genres – contemporary, fantasy.

Lastly is there anything you would like to say to your fans?

Thank you so much for taking the time to read these answers, and I hope you enjoy the book!

 

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Bio

Emily Suvada was born in Australia, where she went on to study mathematics and astrophysics. Her interest in science and tech never waned, particularly in genetic engineering and the question of what it means to be human. She thought it would be fun to explore these interests through characters running for their lives in a futuristic hellscape, so she wrote This Mortal Coil. She now lives in Portland, Oregon, with her husband. When not writing, she can be found hiking, cycling, and conducting chemistry experiments in her kitchen.

Synopsis – This Mortal Coil

When a lone soldier, Cole, arrives with news of Lachlan Agatta’s death, all hope seems lost for Catarina. Her father was the world’s leading geneticist, and humanity’s best hope of beating a devastating virus. Then, hidden beneath Cole’s genehacked enhancements she finds a message of hope: Lachlan created a vaccine.

Only she can find and decrypt it, if she can unravel the clues he left for her. The closer she gets, the more she finds herself at risk from Cartaxus, a shadowy organization with a stranglehold on the world’s genetic tech. But it’s too late to turn back.

There are three billion lives at stake, two people who can save them, and one final secret that Cat must unlock. A secret that will change everything.

 

https://www.penguin.com.au/books/this-mortal-coil-9780141379272

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The Cruel Prince (The Folk of the Air, #1)by Holly Black


 Synopsis 
Of course I want to be like them. They’re beautiful as blades forged in some divine fire. They will live forever.
And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
Jude was seven years old when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King.
To win a place at the Court, she must defy him–and face the consequences.
In doing so, she becomes embroiled in palace intrigues and deceptions, discovering her own capacity for bloodshed. But as civil war threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself. 

Review

I recived a Arc copy for a honest reviews. 

This story clearly shows why  Holly Black is the ‘Queen of the Faeries’. This is a delightfully dark, and twisted novel.
Now this book isn’t available just yet, but it’s definitely one you need to pre-order. I will try my best not to give anything away.

 Jude and Taryn are twins. Vivi is their older sister. It turns out, Vivi’s real father, Madoc, is fae. 

Having grown up with Madoc as the only father they knew, Taryn and Jude have come to love him like a father, while Vivi promises to always hate him for what he did.
Jude just wants to belong. Unlike her sister Viv, she loves the land of Faerie. Her dream is to become a knight. She wants  to be accepted and not seen as the wast of space human. But after being bullied and harassed by Cardan and his lackeys, Jude has had enough. 
So Jude accepts a offer to  become part of the ‘Court of Shadows’.
Jude discovers secrets within secrets about the court, and with the coronation coming up, things get especially intense. Not to mention, her twin sister says she has a secret lover but she refuses to reveal his identity. This  put a strain on their relationship.
This is another great story by Holly and I can’t wait to see what she does in the next book

​Undercover Princess (The Rosewood Chronicles, #1)by Connie Glynn

Synopsis 

When fairy tale obsessed Lottie Pumpkin starts at the infamous Rosewood Hall, she is not expecting to share a room with the Crown Princess of Maradova, Ellie Wolf. Due to a series of lies and coincidences, 14-year-old Lottie finds herself pretending to be the princess so that Ellie can live a more normal teenage life.

Lottie is thrust into the real world of royalty – a world filled with secrets, intrigue and betrayal. She must do everything she can to help Ellie keep her secret, but with school, the looming Maradovian ball and the mysterious new boy Jamie, she’ll soon discover that reality doesn’t always have the happily ever after you’d expect…

A thrilling world of parties, politics and bad ass princesses, this is the first book in the brand new series THE ROSEWOOD CHRONICLES

Review
Firstly let me start by saying I was not aware that Connie Glynn i a YouTuber. Having said that I don’t feel it would have had any influence on me reading this book.

Lottie Pumpkin is your typical teenage girl she lives with her stepmom and has worked hard all her life with her dream of get into the school that her and her mum talked about. However when she gets to her dream school as simple misunderstanding changes her life and she finds herself
drawn into a royal cover up when she’s unknowingly roomed with the Crown Princess of Maradova.

Ellie isn’t your normal princess to be honest it’s not something she has wanted. All she wants to be normal. The one thing she has going for her is that no one has ever seen what she looks like. There is only a very small handful of people in her kingdom that actually know what she looks like.

But when threat start to arrive at the dorm room the girls realise but then maybe something more serious going on. What happens next will change the course of both girls live forever.

 Undercover Princess was like was reading a disney channel movie. You can clearly see how each of the characters stories would play out and how how Disney would portray it in a way that fans young and old would love it.

This is a really sweet story and would be a great book for those Reader’s who are in between children’s and Ya fiction

That moment when you realise that your hair colour currently matches the cover of the book you’re reading. 

#purplehair #bookstagram #booklove #bookworm #Medoranchronicles 

Summer Interview Series – Krystal Sutherland

Paranormal angel would like to welcome the talented Krystal Sutherland. Thank you so much for joining us, Krystal.

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A Semi Defiantly List Of Worst Nightmares is a very powerful story that covers some very dark, and hard subject matter. Where did the idea for the story come from?

The idea came to me almost fully formed, on a summer afternoon in Amsterdam. My little sister was visiting me while I was studying abroad, but she was afraid of riding a bike around the city and ended up having a panic attack at the thought of it. Eventually, she faced her fear and we had a great afternoon cycling around the city – and this story about a cursed girl with fifty worst nightmares just kind of fell into my head.

 Fear is also a big part of the story. So I feel that it would reminisce of me not to ask, what is your fear?

The top three fears I wouldn’t want to face are heights, caves, and frogs – but I spoke about a deeper fear surrounding mental illness to Clover, which you can read here.

What was your hardest scene to write?

I definitely lost momentum toward the end of the book, so I’d say all of the later scenes were tricky. Starting a story is easy, wrapping up all the loose ends into a satisfying conclusion is much harder!

 The cover designs for both Our Chemical Heart and A Semi-Defiantly List Of Worst Nightmares are beautiful. They are also the first impression of a book. What is the process involved in developing and finalizing your covers?

Authors have very little to no involvement in their covers, so I can’t claim any of their brilliance – but that also means I can brag extensively about how lovely they are! As for the process, a finished version is sent to the author for tweaking and final approval, but the design mainly happens behind the scenes. Once it reaches the author, it is almost exactly how it will look on the shelf.

 Does writing energize or exhaust you?

That is a very good question! The answer is… both, depending on what I’m working on. It can be incredibly draining when something isn’t working. It’s like anything, I suppose – if you’re succeeding, it feels good, you feel good about yourself, it’s energizing. If you’re having a bad writing day, or bad writing week, or month, or year… it can be incredibly disheartening and exhausting.

 What is your writing Kryptonite?

My writing weakness is procrastination. I crave writing when I’m not doing it, but then as soon as I sit down to start, everything else seems more interesting. It has created some bad habits!

 What other authors are you friends with, and how do they help you become a better writer?

My best writing bud is Katherine Webber, who wrote Wing Jones. We met on Twitter before either of us had agents or book deals, then became friends in real life, then supported each other through the craziness of the publication process when it finally happened for us. Writing friends are indispensable; they know exactly what you’re going through, and help to keep you sane!

 If you could tell your younger writing self-anything, what would it be?

Getting your first book published is only the beginning. I spent so long focused on that one goal that, when it happened, it was shocking to discover that what I really wanted wasn’t just a book deal, it was a long career as a writer. They are two very different things and now that the goal posts have moved much further away again.

 What’s your favorite under-appreciated novel?

I read a book a few years ago called Dangerous Girls by Abigail Haas that I loved, but I don’t see enough buzz about it. Also, everything by Courtney Summers is criminally underappreciated!

 How do you select the names of your characters?

Randomly and without much thought! Usually, the names just come to me. Esther Solar, the main character of Worst Nightmares, was a friend of a friend on Facebook. The main character in the book I’m currently writing is called Hugo Dreadwater – Hugo is my sister’s dog’s name, and Dreadwater came from an acquaintance. Sometimes, if I’m really stuck for a name, I’ll use a random name generator online.

Do you hide any secrets in your books that only a few people will find?

I do! I love hiding little Easter eggs in my books. Someone found one recently and asked me about it at an event – it was something, not even my editor had picked up on, so I was very impressed!

(These were excellent questions! A little bit out of the ordinary. I enjoyed answering them.)

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Bio

Krystal Sutherland is the author of Our Chemical Hearts. She was born and raised in Townsville, Australia, a place that has never experienced winter. Since then she’s lived in Sydney, where she edited her university’s student magazine; Amsterdam, where she worked as a foreign correspondent; and Hong Kong.

She has no pets and no children, but is fond of naming inanimate objects: in the Netherlands, she owned a Dutch bicycle called Kim Kardashian, and a small, inflatable velociraptor called Herbert.

http://krystalsutherland.com/

https://www.penguin.com.au/authors/krystal-sutherland

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If There’s No Tomorrow by Jennifer L. Armentrout 

Synopsis

Lena Wise is always looking forward to tomorrow, especially at the start of her senior year. She’s ready to pack in as much friend time as possible, to finish college applications and to maybe let her childhood best friend Sebastian know how she really feels about him. For Lena, the upcoming year is going to be epic—one of opportunities and chances. 

Until one choice, one moment, destroys everything. 

Now Lena isn’t looking forward to tomorrow. Not when friend time may never be the same. Not when college applications feel all but impossible. Not when Sebastian might never forgive her for what happened. 

For what she let happen. 

With the guilt growing each day, Lena knows that her only hope is to move on. But how can she move on when her and her friends’ entire existences have been redefined? How can she move on when tomorrow isn’t even guaranteed?

Review
I received a copy for an honest  review.

Wow just wow. This is another incredible writen story that will have you thinking about the decisions you make and the repercussions.

Lena was your typical teenager enjoying the last summer before senior year, working and hanging out with friends, including her neighbor and bestfriend Sebastian. But then  an accident changes everything.

This book deals with a lot of “tough issues”, death, grief, underage drinking, relationships, even parent-child relationships. The story is so engrossing and captivating.

This story is told from Lena POV which gives the story real depth and prospective into the after effects and the internal struggle that goes on after a tragic event.

The what if I had done this or I should have done this the blaming yourself for things that are out of your control and the fear that others will blame or even hate you for the decision to you have made.

There is a softer side to this book in the friendships and in particular the friendship between Sebastian and Lena. The friendship before the accident was an extremely strong. It was built over years  and they were always each other’s sounding boards but after the accident Lena shuts herself off not wanting contact with any of her friends including Sebastian. But he refuses to accept this and is there for her no matter what she wants.

I do also have to make mention of the fact that lean it is an avid book reader and the name book that as a reference throughout it the story that she is really is also one of my favorites Sarah J maas A court of Throne and roses series. This helps to set the tone for the book and pull you into it because you can relate to the characters easier whether it’s Lena as the book nerd Sebastian as the sporty type there’s a character that each of us not only relate to buy can see in our friends.

This is definitely not going to be an easy book for some people to read but it’s definitely worth the time. Jennifer has a way of creating stories that pull you in and make you part of their world and this is definitely another great novel.

Summer Interview Series – Author Penni Russon

I am please to welcome our next author, She is a internationally acclaimed and  award-winning writer please welcome  Penni Russon.

What can you tell us about your upcoming book Endsister? 
The Endsister began as an online serialised story. I was invited to be a creative partner on Storybird.com. It was during a time when writing was quite challenging for me and the discipline of writing roughly a chapter a week and publishing it straight away was great – instant feedback! The book is quite different from the online novel, characters have developed more in the book. Online, the plot was resolved with a deus ex machina (an act of god) where the family inherited another house! It was fun writing it that way online, but it was also extremely rewarding to push the novel to the next level in the redrafting phase, to be with my characters and patiently listen to what they knew, what they needed. It’s funny to think that the first draft is still out there in the public domain. I wonder if anyone will ever compare them. 

Where did the idea for Endsister come from? 
Lots of places. My daughter Una was the one who told me she knew what an endsister was. The ghosts Almost Annie and Hardly Alice came to me in a dream. Inheriting the house was a fantasy solution to my own housing dilemma I think – we were a family of five living in a two-bedroom house, the girls sharing, the baby sleeping in our walk-in-robe. I was also drawn to write about England – I’m the daughter of a migrant and on the one hand I felt like I was going home the first time I visited, but when I went back with my oldest daughter, who was five, I realized I didn’t really relate to the culture there, which was so unlike the Asian and Mediterranean influenced culture of the inner suburbs of Melbourne.  

Does writing energize or exhaust you? 
It can definitely do both. Else’s loss of ‘flow’ in The Endsister, her struggle to play violin or find interest or joy in something that used to bring her pleasure, is definitely my own story about myself as a writer. The violin maker, Else’s ‘Starman’, says ‘no one is waiting for you to play the violin’ and what he means is, ‘play or don’t play. You may as well play.’ It’s about writing, or playing, for yourself rather than for some kind of public recognition or success. 

What other authors are you friends with, and how do they help you become a better writer? 
I’m friends with lots of authors, I guess I’ve been around the traps a while. My daughter Una was Kate Mildenhall daughter’s grade six buddy in 2017 and Kate’s daughter and my son were in the same class. Kate wrote the lovely novel Skylarking. Having Kate in my regular life has been such a treat – to have someone so kindred at the classroom door to chat to just incidentally – and it helps that she’s so warm and kind. I have been teaching creative writing at the University of Melbourne for 10 years and I stay in touch with some of my students who have gone on to do amazing things – C.S. Pacat, Shivaun Plozza, Jack Henseleit, but also several who haven’t been published yet and I am excited and energized by watching them grow and develop as writers. Kirsty Murray has been kind to me since long before I became a writer – we used to go for long walks together when I was in my early twenties and Kirsty was at home with three children and beginning her career. Kirsty helped me meet, well, everyone. Another longstanding writer friend is Kate Constable. It’s good to have friends, especially writer-mother friends, who know what it’s like to live in two worlds.  

How did publishing your first book change your process of writing? 
Actually early on I wasn’t afraid to make a big mess, write my way into trouble and out of it again, including deleting massive chunks (there is something heartstoppingly exhilarating about selecting 10,000 words and hitting the delete button). I’m more conservative now as a writer, I am much less patient with myself, more risk-averse, and find it harder to tolerate mistakes.  

What was an early experience where you learned that language had power? 
When I was a child, and I got very, very cross and shut myself in my bedroom, my father would write me notes and draw pictures and push them under the door. The power of language to mend wounds and regulate emotions has stayed with me forever, and now my daughters and I sometimes work things out over text messages (and where language fails there are always gifs). 

What’s your favorite under-appreciated novel? 
The Summer Birds is a sequel, or prequel I think, to the better-known novel Charlotte Sometimes, and it’s such a curious and strange novel. On the same note, The Long Secret is a lesser-known sequel to Harriet the Spy. I was an adult when I found out these companions to two of my favourite books existed, and it was like discovering a hidden underground room in your house filled with curiosities.   

What does literary success look like to you? 
There really is nothing better than connecting with a reader and knowing your characters, once so private and intangible, are alive in them. But being published, getting recognition from your peers, critical acclaim, winning prizes, decent sales, these are all measures too, and I have to admit, I really care about all of them.  

What’s the best way to market your books? 
I remember hearing a story about Paul Jennings from early in his career. It might be apocryphal, but apparently he first started receiving fan mail from one area, I think it was Geelong, and then a while later, he found he was receiving fan mail from Bendigo (it was back in the deep dark ages of snail mail). Anyway, the point being that books and reading have always been social and word of mouth was then and still is the best way for news of a book to spread – that earnest handselling recommendation between two friends. Now it happens differently of course, ‘Bendigo’ and ‘Geelong’ are now ‘Tumblr’ and ‘Instagram’ or more precisely, the communities that form on these sorts of social networks. I guess when it comes down to it, I write the best book I know how to write and I trust booksellers, librarians and readers to find it, if it’s the right book for them. I am online and active on social networks, but I try not to be all ‘hey, buy my thing’ at people. I think if people feel like they have a relationship with me online, they’ll be driven by their own curiosity to seek out my work. Writing this, I feel like a giant fraud because marketing is probably the thing about being a writer that I find hardest to do. It goes against my social conditioning to push myself forward. 

What kind of research do you do, and how long do you spend researching before beginning a book? 
I read a lot. I read books in the genre I want to write – for Endsister that meant lots of 20th century family stories with magical elements by authors like Noel Streatfeild, Rumer Godden, Joan G. Robinson, Lucy Boston, Penelope Farmer. For Endsister, I used Google Earth extensively to find the right street in London and ‘walk’ around the neighbourhood (I’d been to London twice before on short visits so I had some sense of the place). I was lucky to go back to London during the rewrite so I took lots of notes, but I was excited to see that Google Earth had been a fairly reliable source and the street looked exactly as I imagined it. Going to London reminded me of certain things, like you sit facing each other in the Tube instead of on rows of streets like in Melbourne trains, and I visited Harrods and the Natural History Museum and all the other places the Outhwaites go in the book. Also I found out that apparently lots of people in England believe in ghosts! 

How do you select the names of your characters? 
All the babies I never had! I’m obsessed with names. I’m the person in the cinema reading all the names in the credits while everyone else dashes to the loo. I think I considered every name in existence for my three children. Sibylla, Oscar, Finn, Clancy and Else were all close contenders for baby names. For adults I try to come up with names that sound right for the age, so I borrow names from people I know. 

If you didn’t write, what would you do for work? 
I would love to be a curator in a museum or art gallery.  

Do you Google yourself? If so what have you learned about yourself? 
If you Google ‘How old is Penni Russon?’ it comes up with my age. That’s pretty cool, lucky I’m not coy about it. My Wikipedia page is woefully out of date, but it seems unseemly to update it myself. 

What one thing would you give up to become a better writer?
Money. The desire to make money out of writing. 

Lastly is there anything you would like to say to your fans? 
Reading over this, I guess the message about writing is that it’s sometimes hard work. Sometimes you don’t know what you’re doing, or why you’re doing it, or how to do it. Writing your way through these feelings if the only way, just like being lost in forest – if you sit down and give up, you’ll stay lost. And you’ll always wonder what you might have found if you kept going. You are your mostly companion, trust yourself to guide yourself out of the forest, but don’t feel like you need to do it alone, help is on hand if you are kind to the woodland creatures and the trees. The thing is, a few trees over, in the next clearing that you can’t see, is everyone else you know, also lost in the same forest. You might not all be there at the same time, but it’s that kind of a forest, we all spend time there. Writer’s block is really another way of saying ‘I don’t know where to go next’ or ‘I am very tired, maybe I should just lie down here and sleep for a hundred years.’  That’s not a feeling special to writers. There is teacher’s block, plumber’s block, relationship block, even Netflix block. So send out your little light, and keep your eye out for those other little lights in the dark, showing the way home. And write. And read. And play. And dream. 

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Bio

Penni Russon is an internationally acclaimed, award-winning writer and academic with an enduring interest in childhood and adolescence. Penni lives in the bushy outskirts of Melbourne with her partner, three kids and a schnauzer called Swoosie. Find out more about Penni at pennirusson.com, or her blog eglantinescake.blogspot.com

Summer Interview Series – Author J.C Burke

The first author in our summer interview series is J.C Burke. Author of The Things We Promise. Thank you so much for joining us

You have quite a back catalogue of work. Is there a particular book that stands out all the highlight of your career so far?
I’m very proud of PigBoy because it was a challenging book to write. Damon the narrator is not always likable and yet I had to ensure the reader cared enough to keep reading.

 How are you finding the transition from writing books to writing for film and television?
Hard! I don’t think Im very good at it.

Can you tell us about any upcoming projects that you are working on?
I’ve started working on an ‘adult’ novel. Told in the voice of a woman my age. It’s a bit of a family saga.

Before you started writing, I read that you worked in nursing and specialized in oncology. What made you decide to change careers?
I had glandular fever and was off work for a while. That’s when I started playing with some stories. It was the first time I’d ever written. It was thrilling.

If you could tell your younger writing self, what would it be?
Don’t compare your work to anyone else’s. All voices are unique. All stories have a place.

How did publishing your first book change your process of writing?
It gave me the confidence to find and tell more stories.

What was an early experience where you learned that language had power?
Probably lying on the floor of the living room, playing music and reading the lyrics on the record cover. That’s when I really felt their power.

What kind of research do you do, and how long do you spend researching before beginning a book?
It really depends on the book. PigBoy was extensive research, culminating in gutting a pig with my bare hands!
My latest novel The Things We Promise is set in 1990 during the Aids pandemic. Research varied from cultural references, to the progression of the disease, the reaction of the community and media as well as nailing the jargon so it was specific to that exact year.

What’s your favorite under-appreciated novel?
By me? PigBoy.

What is the most difficult part of your artistic process?
Writing the first 50 or so pages. That can be excruciating.

What is your writing Kryptonite?
My planning notebooks.

How do you balance making demands on the writer with taking care of the reader?
I try not to think too much about either. I want to just listen to the voice. To hear the character and tell their story as truthfully and authentically as I can.

Lastly is there anything you would like to say to your fans?
Keep an open mind with The Things We Promise. It’s a tough read and an ugly reflection on our society. But history is important and must be told truthfully however uncomfortable it is to read.

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Bio:

J.C. Burke has published a number of acclaimed books for teenagers and young adults, including CBCA Notable Books White Lies and The Red Cardigan, Aurealis Awards finalist Nine Letters Long,The Story of Tom Brennan, Faking Sweet, Starfish Sisters, Ocean Pearl, Pig Boy and Pretty GirlThe Story of Tom Brennan won the 2006 CBCA Book of the Year, Older Readers and the 2006 Australian Family Therapists Award for Children’s Literature and it is currently on the NSW HSC syllabus list. Pig Boy won the Ned Kelly Award for Best Crime Fiction in 2012.

https://www.allenandunwin.com/browse/books/childrens/young-adult-fiction/The-Things-We-Promise-J-C-Burke-9781760290405

https://www.jcburke.com.au/

 

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